Showing posts with label Lensbaby Composer. Show all posts
Showing posts with label Lensbaby Composer. Show all posts
365 Challenge #295 - All hail the holy banana
Today was the day that Tropical Cyclone Yasi crossed the Australian coast, and decimated the seaside towns of Cardwell, Tully and Mission Beach. Hundreds of kilometres of that part of the Far North Queensland Coast also copped a hammering, and tonight there is widespread devastation.
As well as destroying homes and businesses, I read that the monster cyclone - a Category 5 when it slammed into the land - would wipe out hundreds of millions of dollars worth of banana and sugar cane crops in the area.
So...today's 365 pic pays homage to the humble (and soon-to-be very expensive) banana. I shall savour these ones, because they reckon bananas could jump from $2-3 a kilo to $15 a kilo.
My thoughts and best wishes go out to everyone who has been affected by what has been described as the biggest cyclone in living memory, to cross Australia's coast.
Looking for a real adventure? Try a traditional Japanese breakfast...
One of the best parts about staying at a ryokan, is that you can order traditional breakfast and/or dinner to be served in your room.
Breaky at Wakamatsu Honten ryokan, where we stayed for two nights, was amazing. The presentation was immaculate, and the food ultra fresh. That's the way with Japanese food - it's incredibly fresh and flawless. It's typically pretty healthy too.
Japanese breakies aren't for the faint-hearted or fussy. Mum and I have often had no idea what we've been eating, and sometimes it has been hard to distinguish whether the tasty morsels have been animal, mineral or vegetable. It's a good thing we're game, cos if we'd be pretty hungry if we'd have waited for cornflakes to be served.
Breakfast, like most meals in Japan, consists of rice (gohan), miso soup (or some variety of clear soup), pickles (and there seem to be hundreds of pickled things to choose from - ginger, cucumber, root vegetables - you name it, they'll pickle it), some sort of fish (we've eaten a LOT of salmon), and oddly, a small packet of dried seaweed - like the kind you use to make nori rolls. The breaky at Wakamatsu Honten also included a little salad, tofu and sliced oranges.
Oh - and then there's green tea. Which accompanies every meal - sometimes two or three cups. There seems to be an endless supply of ocha (Japanese tea), kocha (black tea) and kohi (coffee).
Our one dinner at Wakamatsu Honten, which was a real treat, and something I was fortunate enough to try here about three years ago - was absolutely incredible, taste and presentation-wise. As well as the obligatory rice, pickles, soup and green tea, there were small plates of the freshest sashimi, delicious morsels of seafood terrine, grilled eel, grilled pork belly and a bubbling hotpot with Japanese mushrooms and all manner of yummy stuff.
Both breakfast and dinner are served on a delightful mish-mash of serving platters, bowls and dishes. It's as much as the overall presentation as it is taste, and the Japanese are very focussed on the "power of five". I came across this fascinating blog post about how Japanese cooking seeks to incorporate the five senses, fve colours, five tastes, five ways and five attitudes.
With so much care, and attention to detail in preparation and cooking, it's no wonder that Japanese food, pretty much everywhere in Japan, from supermarkets and fast-food outlets, to the high-end restaurants, is outstanding!
Breaky at Wakamatsu Honten ryokan, where we stayed for two nights, was amazing. The presentation was immaculate, and the food ultra fresh. That's the way with Japanese food - it's incredibly fresh and flawless. It's typically pretty healthy too.
Japanese breakies aren't for the faint-hearted or fussy. Mum and I have often had no idea what we've been eating, and sometimes it has been hard to distinguish whether the tasty morsels have been animal, mineral or vegetable. It's a good thing we're game, cos if we'd be pretty hungry if we'd have waited for cornflakes to be served.
Breakfast, like most meals in Japan, consists of rice (gohan), miso soup (or some variety of clear soup), pickles (and there seem to be hundreds of pickled things to choose from - ginger, cucumber, root vegetables - you name it, they'll pickle it), some sort of fish (we've eaten a LOT of salmon), and oddly, a small packet of dried seaweed - like the kind you use to make nori rolls. The breaky at Wakamatsu Honten also included a little salad, tofu and sliced oranges.
Oh - and then there's green tea. Which accompanies every meal - sometimes two or three cups. There seems to be an endless supply of ocha (Japanese tea), kocha (black tea) and kohi (coffee).
![]() |
| Traditional Japanese Breakfast |
Both breakfast and dinner are served on a delightful mish-mash of serving platters, bowls and dishes. It's as much as the overall presentation as it is taste, and the Japanese are very focussed on the "power of five". I came across this fascinating blog post about how Japanese cooking seeks to incorporate the five senses, fve colours, five tastes, five ways and five attitudes.
With so much care, and attention to detail in preparation and cooking, it's no wonder that Japanese food, pretty much everywhere in Japan, from supermarkets and fast-food outlets, to the high-end restaurants, is outstanding!
![]() |
| Traditional Japanese Dinner |
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| Sashimi - it's all about fish! |
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| Pickles of some description accompany virtually every meal |
![]() |
| Crab claw rolled in crushed rice crackers |
Posted by
Venti
on
27.1.11
0
comments
Labels:
Japan,
Japanese cuisine,
Lensbaby Composer,
Lensbaby Fisheye Optic,
Narita
Inside a ryokan - a traditional Japanese guesthouse
It's been a long time between blog posts because Mum and I have been travelling! Last Saturday night, we arrived in Japan for a week's holiday.
Our plan was to stay in Narita for the first two nights, then Tokyo (about an hour by train from Narita) for the next five. Having visited Japan a couple of times before, we wanted to stay in ryokans in both cities - traditional Japanese guesthouses, quite similar to B&Bs.
The ryokan at Narita was somewhat of a luxury version, and much larger than the one in Tokyo. It was huge!
You might notice that there are no beds in traditional ryokans. As you can see in the first couple of pictures, there is minimal furniture altogether, and it's quite lightweight and easily moved. The sliding panels (which feel like rice paper mounted to wooden batons), slide back and forth to section off parts of the living space.
Once dinner is over each evening (in the Narita ryokan, we could choose to have dinner in the room), the Futon Man comes to the room, bows furiously before entering the living area, moves the table, and rolls out the futons, which are stored in cupboards in the room. He repeats the whole process each morning, stripping the sheets and rolling the thin mattresses up for storage.
The floor is made of tatami matting, and you do not wear shoes anywhere in the ryokan. They're left at the door and swapped for socks, which are typically provided by the ryokan. If you want to walk around the ryokan, say down to the lobby or communal bath, you can wear slippers provided in your room.
This particular ryokan had a bathroom, although many have shared facilities outside of the rooms. It was tiny, but came with the mandatory electrically heated toilet seat (great for those chilly winter days), and a deep bath and shower area. I'll cover bathing Japanese-style in another blog post!
Ryokans also provide yukata's (similar to kimono's), to wear in the room and around the ryokan. That's the folded thing in the last picture. Whack it on with your slippers, and you're feeling well and truly Japanese desu ne!
Our plan was to stay in Narita for the first two nights, then Tokyo (about an hour by train from Narita) for the next five. Having visited Japan a couple of times before, we wanted to stay in ryokans in both cities - traditional Japanese guesthouses, quite similar to B&Bs.
The ryokan at Narita was somewhat of a luxury version, and much larger than the one in Tokyo. It was huge!
You might notice that there are no beds in traditional ryokans. As you can see in the first couple of pictures, there is minimal furniture altogether, and it's quite lightweight and easily moved. The sliding panels (which feel like rice paper mounted to wooden batons), slide back and forth to section off parts of the living space.
Once dinner is over each evening (in the Narita ryokan, we could choose to have dinner in the room), the Futon Man comes to the room, bows furiously before entering the living area, moves the table, and rolls out the futons, which are stored in cupboards in the room. He repeats the whole process each morning, stripping the sheets and rolling the thin mattresses up for storage.
The floor is made of tatami matting, and you do not wear shoes anywhere in the ryokan. They're left at the door and swapped for socks, which are typically provided by the ryokan. If you want to walk around the ryokan, say down to the lobby or communal bath, you can wear slippers provided in your room.
This particular ryokan had a bathroom, although many have shared facilities outside of the rooms. It was tiny, but came with the mandatory electrically heated toilet seat (great for those chilly winter days), and a deep bath and shower area. I'll cover bathing Japanese-style in another blog post!
Ryokans also provide yukata's (similar to kimono's), to wear in the room and around the ryokan. That's the folded thing in the last picture. Whack it on with your slippers, and you're feeling well and truly Japanese desu ne!
Posted by
Venti
on
27.1.11
0
comments
Labels:
Japan,
Lensbaby Composer,
Lensbaby Fisheye Optic,
ryokan
365 Challenge #286 - Lensbaby & Selective Blur
My Lensbaby Composer
and Fisheye Optic
arrived this week, and I've had a chance to play with them tonight. Wow - the selective blur, which is the trademark Lensbaby photo look, is hard to get used to. But fun!
It's an all-manual focus affair, and you can't automatically dial the aperture up or down - that's also a manual affair whereby you use a little magnet tool supplied with each optic to drop in little discs that correspond to the aperture you want to shoot at. Manual..er, right...
Both images below use the Lensbaby Composer with the Double Glass Optic
and the f/4 aperture ring. At the moment, I'm less worried about composition, and more just experimenting with the look that Lensbaby optics can create.
Methinks the Lensbaby toys will get a good workout in Tokyo!
It's an all-manual focus affair, and you can't automatically dial the aperture up or down - that's also a manual affair whereby you use a little magnet tool supplied with each optic to drop in little discs that correspond to the aperture you want to shoot at. Manual..er, right...
Both images below use the Lensbaby Composer with the Double Glass Optic
Methinks the Lensbaby toys will get a good workout in Tokyo!
365 Challenge #285 - Back on deck!
My 365 Challenge is back! I'm still writing a post about the major events of the last week and want to do it justice...but here's a pic of my place, almost back to normal, and slightly rearranged. Taken with my new Lensbaby Fisheye Optic. It was a happy little surprise in a week of madness.
Posted by
Venti
on
18.1.11
0
comments
Labels:
365 Challenge,
Lensbaby Composer,
Lensbaby Fisheye Optic
Give me another lens, baby!
I'm still in Camera Gear Acquisition Mode....dear God, when will it end?
Anyway, I have been stalking the Lensbaby site for a while now, and decided to buy a Lensbaby Composer lens plus the Fisheye Optic in time for my trip to Japan. I love the crazy, creative effects these little lenses seem capable of producing, and thought they'd be relatively cheap substitutes into the worlds of tilt shift and fisheye photography - which for the most part, are pretty specialist lenses anyway.
So, that weird looking white thing above is the Lensbaby Composer - a double glass optic which produces a sweet spot of focus surrounded by graduated blur. Basically, you manually focus the lens, and then tilt it round to where you want the sharp part of the photo to be. A bendy lens - how cool is that! There's an awesome gallery of images created with this lens in Lensbaby's Gallery.
I also bought the Fisheye accessory because I really like the surreal look of fish eye photos - and I reckon this light little baby would be great for travelling. You can check out a bunch of pics taken with this combination of Lensbaby accessories, on Flickr here.
Now - a word about postage costs. A couple of Australian retailers sell Lensbaby products, but they are substantially more expensive to buy in Australia than the US. So with the exchange rate as strong as it is, it's currently cheaper for me to buy this stuff from the US even after adding shipping costs.
The Lensbaby site itself quoted postage costs for what I imagine would be a fairly small little package, of USD$100. B&H Photo quoted USD$60 to ship this stuff to Australia. Amazon
, where I ultimately bought this gear, charged me USD$21 for postage (with the prices for the lenses being identical to those quoted on the Lensbaby site). I've been buying stuff from Amazon.com for years and they have a pretty amazing range of products. They're also really fair on shipping costs.
Australian retailers are whinging loudly at the moment about online stores (in Australia and overseas) taking business from them. They could rectify this problem and keep business in Australia by being a tad more competitive on price. Just sayin'...
Anyway, I can't wait to get the new toys and give them a whirl in Japan - which incidentally, is just 17 sleeps away. Whoohooo!
Anyway, I have been stalking the Lensbaby site for a while now, and decided to buy a Lensbaby Composer lens plus the Fisheye Optic in time for my trip to Japan. I love the crazy, creative effects these little lenses seem capable of producing, and thought they'd be relatively cheap substitutes into the worlds of tilt shift and fisheye photography - which for the most part, are pretty specialist lenses anyway.
So, that weird looking white thing above is the Lensbaby Composer - a double glass optic which produces a sweet spot of focus surrounded by graduated blur. Basically, you manually focus the lens, and then tilt it round to where you want the sharp part of the photo to be. A bendy lens - how cool is that! There's an awesome gallery of images created with this lens in Lensbaby's Gallery.
I also bought the Fisheye accessory because I really like the surreal look of fish eye photos - and I reckon this light little baby would be great for travelling. You can check out a bunch of pics taken with this combination of Lensbaby accessories, on Flickr here.
Now - a word about postage costs. A couple of Australian retailers sell Lensbaby products, but they are substantially more expensive to buy in Australia than the US. So with the exchange rate as strong as it is, it's currently cheaper for me to buy this stuff from the US even after adding shipping costs.
The Lensbaby site itself quoted postage costs for what I imagine would be a fairly small little package, of USD$100. B&H Photo quoted USD$60 to ship this stuff to Australia. Amazon
Australian retailers are whinging loudly at the moment about online stores (in Australia and overseas) taking business from them. They could rectify this problem and keep business in Australia by being a tad more competitive on price. Just sayin'...
Anyway, I can't wait to get the new toys and give them a whirl in Japan - which incidentally, is just 17 sleeps away. Whoohooo!
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