Showing posts with label Brisbane. Show all posts
Showing posts with label Brisbane. Show all posts

15 days in and loving the 365 Challenge!

15 days in, and I'm loving getting back into the challenge of taking a photo a day. It's a great way to learn all of the (many) functions of the G12. What a snazzy little camera! Talk about the perfect present for me!

Here are some of the photos from the second week of my 365 of 40 challenge. The week started last Sunday at Byron Bay, where I got to test out the Miniature filter. It basically keeps a horizontal slit across the middle of the image sharp, and blurs the top and bottom, to give a tilt-shift effect. Apparently looking down on subjects provides the best results....


In this photo, I tried out the macro function, which I'm loving! I'm still stalking the Canon 100mm f/2.8 L macro lens for my SLR bodies, but the in-camera macro feature on the G12 is pretty damn good for a compact camera. Hand-made Italian bickies, anyone??


More macro fun, as I reminisced about Thai food and this model of a Thai food cart we bought in Bangkok over Christmas. Love the detail in the photo considering it was all about 10cm tall.


Trying out a bit of food photography, with a *very* tasty hot chocolate from our local Italian gelato bar. Hot chocolate so thick you could stand the spoon up in it...loving the fact that the G12 is small enough to fit in my handbag, and whip out at restaurants :)


I think there's a theme starting to develop here....more macro food photography, with the hand-made gnocchi created by Michael. The only real issue with this shot was that the steam from the pasta kept fogging up the glass. Fabulous gnocci though!


Here I played around with some wilting birthday roses. The G12 has in-camera post-processing options, like overlaying colour filters. Here, I photographed the roses in colour and converted them to sepia in camera. I also used the iContrast feature to bump up the contrast. There are other filters like B/W, vivid colour, selective colour. All the more reason to keep going with this camera...I haven't yet used them all!


And finally today's shot - having a bit of fun with some film I found in the back of two of my old film cameras my parents had retrieved from their garage and decided to finally lay rest at my place. More macro photography - the camera was just a couple of centimetres away from the film.


Feel free to follow the challenge each day on my Facebook page or my Flickr stream :)

Degustation Menu at Sono - OH YES!

My birthday celebrations continued last night, with dinner at the delicious Sono, in Brisbane's Queen Street Mall.

Michael, my parents, one of my food-loving besties from Sydney and I shared the Sono degustation experience for over four hours....and every morsel of it was fabulous. I would definitely recommend the Zen option!

I loved having my new G12 on hand - far less intrusive than one of the big DSLR cameras, although we were in a private room, so it wouldn't have been a problem to pull the big guns out.

Here's what we ate, and some pictures. The photos may not do the food justice - the sake was flowing fast and furiously, but the entire evening made for a completely unforgettable Japanese meal!

* Zensai
* Assorted sashimi
* Steamed white fish with enoki mushroom and cherry leaves
* Wagyu steak grilled on magnolia leaf
* Deep-fried lobster with tea leaves and wonton skin
* Duck and prawn in yolk vinegar sauce
* Assorted sushi
* Miso soup with clams
* Dessert platter










Anzac Day 2012 - Lest We Forget


It's Anzac Day 2012, and I've just got back home after today's Dawn Service in Anzac Square. Doing the Dawn Service has become a bit of a tradition since I visited Gallipoli in May 2008.

This was a blog post I wrote after attending my first Dawn Service in Brisbane in 2009. Reading over it again, even now, I can imagine being right back there on the Gallipoli peninsula. It was one of the most moving experiences of my life - and the point at which I really understood what the Anzac spirit - and being Australian - is about.

I'm heading into the city again to see the march through Brisbane. Of course, I'll be taking my camera!

Lest we forget.

* * * * *
Last May, on a holiday to Turkey, I visited the legendary Gallipoli: a peninsula in the North West of the country.

Perfect, clear skies framed our view. The area was calm, peaceful and spectacularly picturesque - glistening blue sea out to the front of us, dramatic cliffs and bushland to the rear.

However, this idyllic setting belied the hell that it bore witness to some 94 years earlier.

Our coach pulled over to the side of the road nearest the water. There it was: one word in bold, simple letters: A N Z A C.

Profound emotion took over me - I felt overwhelming sadness and began to sob. I had lost no relatives in the battle that began there at 4.28am on April 25, 1915 - indeed my grandfathers and forebears had not even fought in Turkey nor had they died in any war.

But I cried for the ANZACS - the Australian and New Zealand Army Corps who landed on that small beach in the first joint military operation between the two countries. Theirs was part of a broader campaign mounted by the British and French to capture the Ottoman capital of Istanbul and secure a sea route to Russia.

I cried at the futility of the situation the ANZACs faced, many gunned down as they emerged from boats that had taken them to shore, thousands more killed in a bloody battle up and down those towering cliffs.

It is said that this battle forced the birth of consciousness of Australia and New Zealand. It was a place where our young men died; and a place where the ANZAC legend was born.

We departed Anzac Cove and wound our way up the hill to Lone Pine, the Australian memorial and cemetary at the top of the peninsula. The poignant melody of the Last Post started to replay itself in my mind. I tried to imagine what those young soldiers must have seen - or what some of them almost saw. The gravestone of one R.H Stevens said he was killed the very day he arrived on Turkish soil.

Chanuk Bair, New Zealand's ANZAC memorial and cemetary at Gallipoli, and the Turkish cemetary were equally moving. Those headstones represented way too many lives cut short, wherever they had come from.

Our young Turkish guide and coach driver showed so much compassion and respect for the few Australians and New Zealanders on the tour that day; indeed Ceylan and Burhan, both beautiful, warm souls, had hosted us in their beautiful country for the previous two weeks. It made me cry all the more to think that our countries had once been at war.

The battle to retain control of the Gelibolu peninsula and the Straits of the Dardanelles was also one of the defining moments in Turkish history. I believe that because Turkey, Australia and New Zealand share such a history; we also share a future in always remembering what that history means.

The bond between the ordinary soldiers and sailors who fought at Gallipoli was expressed this way by the President of Turkey, Mustafa Kemal Atatürk in 1934, on a large stone monument at Anzac Cove:
"Those heroes that shed their blood and lost their lives...
You are now lying in the soil of a friendly country.
Therefore, rest in peace.
There is no difference between the Johnnies and the Mehmets to us where they lie side by side here in this country of ours...
You, the mothers, who sent their sons from far away countries, wipe away your tears,
Your sons are now lying in our bosom, and are in peace,
After having lost their lives on this land they have become our sons as well"


My visit to Gallipoli had a profound impact on me. I had heard much about the ANZAC spirit and the legendary Gallipoli from my early childhood, but had never really personally connected with it. On that day, I felt as intensely proud to be Australian as I felt homesick, sad, humble and grateful. I longed to be back home with my family under blue skies and amongst the gum trees - but I now knew deeply why I would personally never forget those who fought for my country's freedom.

I went to my first Anzac Day Dawn Service last Saturday and was inspired by how many people of all ages packed into Brisbane's Anzac Square at such an early hour.

As the old diggers marched solemnly up to the Shrine of Rembrance to the drumbeat of the military band, I thought very fondly of my time in Turkey. Tears unashamedly rolled down my face as a buggler sounded the Last Post, before the two-minute silence. The mood was solemn, reflective. The silence was palpable.

I feel some regret that it took it nearly 37 years for me to really "get" Anzac Day and all that it represents; but, better late than never I suppose.

I will certainly watch future Anzac Day services with a different perspective, just as I will feel a bit more appreciation each time I walk past Anzac Square or see an Australian soldier. But I think it's the deeply ingrained Gallipoli experience - memories of my day there and of the even more extraordinary events that took place in 1915, that will remind me why we must always remember them.

Somewhere over the rainbow!

Long time no blog! Life is getting in the way of a perfectly good passion, so the best I can do tonight is post some images of a double rainbow I took last Friday evening. I haven't seen a rainbow this vibrant for a long time let alone a double banger, AND right outside my window.

Rainbows...one of nature's beautiful wonders :)


Hello bokeh!

Christmas...it's one of those times when all the pretty lights scream one thing....BOKEH!

Derived from the Japanese language, bokeh "is the blur or the aesthetic quality of the blur in out-of-focus areas of an image, or "the way the lens renders out-of-focus points of light." Differences in lens aberrations and aperture shape cause some lens designs to blur the image in a way that is pleasing to the eye, while others produce blurring that is unpleasant or distracting - "good" and "bad" bokeh, respectively. Bokeh occurs for parts of the scene that lie outside the depth of field. Photographers sometimes deliberately use a shallow focus technique to create images with prominent out-of-focus regions." - according to Wikipedia.

Anyway, last night was a great opportunity to whip out my Zeiss Planar T* 1,4/85 lens and take advantage of its amazing shallow focus, while roaming round the colourful streets of Brisbane's Jindalee.

The first image below shows what the amazing "light house" looked like - some 80,000 hand-strung lights twinkled in an unbelievable 15-minute choreographed piece of blinking artwork. The other shots show slightly out-of-focus shots ranging from f/1.6 up to f/2.8.

My Zeiss lens is manual focus, so it's quite easy to get out of focus shots - simply twiddle the focus ring in the wrong direction, and voila....out of focus shots! But the more I played around with this counter-intuitive, out-of-focus style of photography, the more I liked it. There's more shots from the evening on my Flickr stream.

ISO 1600 | f4.0 | 1/20

ISO 800 | f1.6 | 1/40

ISO 800 | f/2.0 | 1/100
One of my buddies used the Lensbaby Creative Aperture Kit to create some gorgeous heart and star shaped bokeh at the same scene - check out her images here on Flickr.

"Get it sharp" is the mantra that's typically drilled into photographers from the word go, but you can have an awesome time experimenting with out of focus shots and shallow depth of field. Give it a go - it's the perfect time of year to play with bokeh!

Playing with f1.4 - because I can!

Sooo.....after much waiting, my sparkly new Zeiss 85mm f/1.4 lens arrived last week, and the weekend gave me the chance to put it through its paces. What a cracking lens!

Having never shot at f/1.4, I can definitely say it's going to get some getting used to. The manual focus isn't as much of a problem as I thought it might be - it's more of an issue getting the right things into focus at such shallow depth of field.

This series of images shows how the lens blurs the background, and creates bokeh at different apertures. I'm really impressed with the vibrant colours the lens captures. The first image shows my bungled attempt to get anything much into focus (I still like the colours), but the flowers in the foreground get sharper around the f/2 - f/4 range, and the background starts to come to life at around f/8.

Anyway, I'm loving the lens so far - more practice definitely required! And now it's time to get cracking on my 100 Strangers project :)

85mm @ f1.4
85mm @ f/2
85mm @ f/2.8

85mm @ f/4

85mm @ f/8

365 Challenge #349 - the parking lot's full at Lone Pine!



We had a great family day out at Lone Pine Koala Sanctuary!

Based out at Fig Tree Pocket, in Brisbane's western suburbs, the park claims to be the world's first and largest koala sanctuary, with over 130 koalas.

It was my second visit to Lone Pine, and what I love about this place, is that it's really laid back, and you can get up close and personal with the animals. There's koalas to the left and right, and a huge open area where kangaroos and wallabies roam around.

My two-year old nephew, Ben, was able to pat guinea pigs and chicks, sheep, goats and all manner of animals! The bird feeding session was a riot of lorikeets, rosellas and king parrots, and we saw working sheep dogs herd sheep, and then a veteran shearer relieve one of its fleece.

Lone Pine is a great day out for any Brisbanite or visitor to Brissie, and it's particularly great for photographers. Check it out when you can :)

365 Challenge #348 - The Anzac Spirit


Following the Dawn Service this morning, I headed back into the city to watch the Anzac Day march through Brisbane.

On my walk down to Ann Street, I overheard someone say that the Shrine of Memories was open. It's in the tunnel under Anzac Square and leads through to Central Station. I hadn't been in there - didn't even really know it existed, but I followed a bunch of Diggers in, and got way more than I bargained for.

It turned out the Diggers were part of one of the battalions due to walk in the march. They had their own private service in the Shrine of Memories, playing the Last Post and laying wreaths, before they were whisked off by bus up to the start of the march. I felt incredibly lucky to share that experience with the Diggers and their families - they didn't seem to mind (or notice) that I was there. The deep bonds and mateship that existed between these old guys was beautiful to watch. They spoke to each other so respectfully, while reflecting on their lost mates.

Following that little surprise, I was able to get a pretty good spot on the barricade. It was the perfect excuse to drag out the 70-200mm f/2.8 lens! A guy wandered over, put his backpack down and dragged out a Canon camera, with a 100-400mm lens - we chatted all things Canon until the march began.

It was a great procession of Diggers, bands, vehicles, flags and the odd horses, dogs and sheep. Yes, there was even an Armed Sheep!

The photo of these two gorgeous ladies was my favourite for the day. It's ANZAC mateship, sista style - this pair looked like they'd known each other forever, and as nurses - probably saw things that would horrify most of us.

I had an awesome day, chatting with some of the Diggers, and the people who stood behind the barricade with me. If the Dawn Service is the solemn part of Anzac Day, the march is almost like a celebration. It's so great to see people of all ages supporting the march, and those who fought - and continue to fight - for our country.

There's a whole album full of my photos from the 2011 Anzac Day march on my Flickr photostream :)

We will remember them


It's Anzac Day 2011, and I've just got back home after today's Dawn Service in Anzac Square. Doing the Dawn Service has become a bit of a tradition since I visited Gallipoli in May 2008.

This was a blog post I wrote after attending my first Dawn Service in Brisbane in 2009. Reading over it again, even now, I can imagine being right back there on the Gallipoli peninsula. It was one of the most moving experiences of my life - and the point at which I really understood what the Anzac spirit - and being Australian - is about.

I'm heading into the city again later to see the march through Brisbane. Of course, I'll be taking my camera! The theme for my photos today will be "Being Australian".

* * * * *
Last May, on a holiday to Turkey, I visited the legendary Gallipoli: a peninsula in the North West of the country.

Perfect, clear skies framed our view. The area was calm, peaceful and spectacularly picturesque - glistening blue sea out to the front of us, dramatic cliffs and bushland to the rear.

However, this idyllic setting belied the hell that it bore witness to some 94 years earlier.

Our coach pulled over to the side of the road nearest the water. There it was: one word in bold, simple letters: A N Z A C.

Profound emotion took over me - I felt overwhelming sadness and began to sob. I had lost no relatives in the battle that began there at 4.28am on April 25, 1915 - indeed my grandfathers and forebears had not even fought in Turkey nor had they died in any war.

But I cried for the ANZACS - the Australian and New Zealand Army Corps who landed on that small beach in the first joint military operation between the two countries. Theirs was part of a broader campaign mounted by the British and French to capture the Ottoman capital of Istanbul and secure a sea route to Russia.

I cried at the futility of the situation the ANZACs faced, many gunned down as they emerged from boats that had taken them to shore, thousands more killed in a bloody battle up and down those towering cliffs.

It is said that this battle forced the birth of consciousness of Australia and New Zealand. It was a place where our young men died; and a place where the ANZAC legend was born.

We departed Anzac Cove and wound our way up the hill to Lone Pine, the Australian memorial and cemetary at the top of the peninsula. The poignant melody of the Last Post started to replay itself in my mind. I tried to imagine what those young soldiers must have seen - or what some of them almost saw. The gravestone of one R.H Stevens said he was killed the very day he arrived on Turkish soil.

Chanuk Bair, New Zealand's ANZAC memorial and cemetary at Gallipoli, and the Turkish cemetary were equally moving. Those headstones represented way too many lives cut short, wherever they had come from.

Our young Turkish guide and coach driver showed so much compassion and respect for the few Australians and New Zealanders on the tour that day; indeed Ceylan and Burhan, both beautiful, warm souls, had hosted us in their beautiful country for the previous two weeks. It made me cry all the more to think that our countries had once been at war.

The battle to retain control of the Gelibolu peninsula and the Straits of the Dardanelles was also one of the defining moments in Turkish history. I believe that because Turkey, Australia and New Zealand share such a history; we also share a future in always remembering what that history means.

The bond between the ordinary soldiers and sailors who fought at Gallipoli was expressed this way by the President of Turkey, Mustafa Kemal Atatürk in 1934, on a large stone monument at Anzac Cove:
"Those heroes that shed their blood and lost their lives...
You are now lying in the soil of a friendly country.
Therefore, rest in peace.
There is no difference between the Johnnies and the Mehmets to us where they lie side by side here in this country of ours...
You, the mothers, who sent their sons from far away countries, wipe away your tears,
Your sons are now lying in our bosom, and are in peace,
After having lost their lives on this land they have become our sons as well"


My visit to Gallipoli had a profound impact on me. I had heard much about the ANZAC spirit and the legendary Gallipoli from my early childhood, but had never really personally connected with it. On that day, I felt as intensely proud to be Australian as I felt homesick, sad, humble and grateful. I longed to be back home with my family under blue skies and amongst the gum trees - but I now knew deeply why I would personally never forget those who fought for my country's freedom.

I went to my first Anzac Day Dawn Service last Saturday and was inspired by how many people of all ages packed into Brisbane's Anzac Square at such an early hour.

As the old diggers marched solemnly up to the Shrine of Rembrance to the drumbeat of the military band, I thought very fondly of my time in Turkey. Tears unashamedly rolled down my face as a buggler sounded the Last Post, before the two-minute silence. The mood was solemn, reflective. The silence was palpable.

I feel some regret that it took it nearly 37 years for me to really "get" Anzac Day and all that it represents; but, better late than never I suppose.

I will certainly watch future Anzac Day services with a different perspective, just as I will feel a bit more appreciation each time I walk past Anzac Square or see an Australian soldier. But I think it's the deeply ingrained Gallipoli experience - memories of my day there and of the even more extraordinary events that took place in 1915, that will remind me why we must always remember them.

365 Challenge #346 - Brisvegas at Dusk


It was another beautiful evening in Brisvegas, and I thought I'd head down to the Kangaroo Point Cliffs. I usually shoot from the top of the cliffs, but tonight I wanted a different angle, and headed down to river level.

I took a bunch of shots in color, but had to have the obligatory black and white photo. I like setting up the b/w settings in camera - I know I can shoot in colour and convert to b/w in Photoshop (in any case, I shoot in RAW and jpeg, so one file retains the settings and one does not). The movement in the clouds was cool.

I can't believe this 365 Challenge is up to #346! Less than 30 days of this particular challenge to go, and I'm thinking ahead to the next one...my blog also hit 6,000 page views this week, which was a nice little milestone. Round numbers are good :)

365 Challenge #343 - dusk over Bulimba

The last couple of nights in Brisbane have been awesome - it's nearly a full moon, and the light out on the river at dusk is beautiful.

Between full moons and capturing aircraft as they track across the river on their final approach into Brisbane airport, there's been heaps to photograph out there.

Have a great weekend wherever you are!

365 Challenge #339 - Brisbane City Hall - looking a bit goth!


I went for a wander around the city last night, and as I was waiting for the bus home, I looked up the walls of City Hall.

I converted this pic to grayscale to give it a bit of a Goth look. All it needs is some bats :)

365 Challenge #329 - Shorncliffe Pier at night III


It was a beautiful balmy evening in Brisbane last night, and Shorncliffe Pier provided the perfect backdrop to capture sunset.

These starbursts came for free!

365 Challenge #321 - Super Moon meets River Cat on the Brisbane River

I finally got a great view of the last of this week's "Super Moon". This shot is what happened when Super Moon met the River Cat :).

Gotta love a full moon over the Brisbane River on a balmy evening. Happy days!

Fabulous fashion photography with Krank Photography Workshops

© 2011 www.krankphotographyworkshops.com.au
Despite my vigorous attempts to show restraint in the 1) photography equipment purchase and 2) continuous attendance of workshops stakes, this one floated into my inbox this week (courtesy of Steve, the uber-Gadget man Peters).

Krank Photography Workshops seem to have recently started up in Brisbane, offering fashion photography workshops under the guidance of Brisbane photographers, Glenn Krohn and Deborah Boots.

The blurb for the upcoming workshop next weekend says "Krank Photography Workshops has lined up exclusive access to an awesome 70′s Italian-styled mansion decorated in ornate wallpapers, with grand staircase, chandeliers and period furniture. This workshop is aimed to give you an understanding of portable lighting equipment and how to use it creatively on a location shoot. Your photography instructor Glen Krohn, will take you through planning the styling of the shoot, briefing hair and make-up, casting and directing models."

It sounded so cool - the images on the Krank workshop so very glam! I pondered it for a few days, then caved to temptation this morning and booked into next weekend's workshop. 

All I can say at this point is, "SHOW ME THE MANSION!" Can't wait to see what will come out of this workshop, but I have a feeling it's gonna be good.

365 Challenge #308 - New Farm Park's rose garden



It was a gorgeous day out yesterday! Photography buddy Robyn and I arranged to meet up at Brisbane's Powerhouse to check out the Nikon Walkley Press Photo Exhibition, which finishes this weekend.

The collection of 100 of the winning and finalist photos was inspiring. Press photographers, particularly news photographers, usually have very little time to set up the images we see in newspapers.

These photographers are often shooting in the most difficult conditions, like wars and disasters. As we wandered round the images, we wondered whether the shots were straight out of the camera or if they had been photoshopped at all.

It was also interesting to see that some of the winning shots broke some of the "rules" that we've been taught in various workshops - like the rule of "don't stick your subject in the dead centre of the frame". A number of the winning photos had captured the subject right in the middle of the image. Go figure!

After a few quiet drinkies on the balcony of the Powerhouse, we wandered out to New Farm Park with our cameras. I hadn't been here since before the area had been inundated in the January floods, and it was great to see everything largely back to normal.

The sun was still hot and glary, so shooting flowers (or indeed, anything) was a tad tricky. A polarising filter helped to pull back the light and add some colour to the sky. I experimented with shooting these roses from underneath.

I love the colours of vivid colours of Summer, but am also looking forward to cooler temps in Autumn.

All photos taken with my Canon EOS 5D Mark II and the Canon EF24-70mm f/2.8L lens.

Loving the long exposure!


Ah, the joy of night shoots! Haven't done it for what feels like ages, and ended up going out twice the weekend.

Other than the mossies, which around the Brisbane River, are more like small helicopters than tiny bugs, I love that night shooting relies on long exposures. The photo of the Story Bridge (above) was 100 seconds, while the one below was 611 seconds - just over 10 minutes (both at f/11 with the 28-70mm f/2.8L lens).

I love what long exposure shooting does to lights and water, and the reflections created when you have both ingredients. I love that night shooting is typically quiet and peaceful (other than random Irish drunks and the swearing that comes with having forgetten the mossie repellant).

I also appreciate the chit chat that typically comes with the other photogs who are shooting with you - last night, the guy that was shooting near Steve, Darren and I ended up being a guy I was already in contact with on Flickr. It's not the first time someone has suggested we all start wearing t-shirts with our Flickr Id's out to shoots....

It was a dilemma last night though - the sunset on one side of Cleveland Point, and the full moon rise on the other. We opted for the sunset, but the moon looked pretty spectacular through the palm trees. My lens didn't zoom far enough to capture enough detail, so I'll have to commit that image to memory.

Now - to find some more locations around Brisbane so I can do more night shooting! Where's YOUR favourite night shooting location in Brisbane?

365 Challenge #284 - The Day Brisbane Flooded


When I started to write this post last week, it had been more than a week since blog posts - but I do have a valid excuse. Earlier this month, we witnessed one of the greatest natural disasters in Queensland - the Flood of 2011.

Following weeks of heavy rain, rapidly filling dams, a devastating flash flood in the Lockyer Valley which claimed the lives of 18 people, and a king tide, the Brisbane River rose to a level of 4.46m on Thursday, 13 January 2011, completely engulfing much of Australia's third largest city. This peak was still a metre off the peak during the legendary 1974 flood - which was compounded at the time by a cyclone. The mind boggles about what would have happened had the river once again risen to that level.

The statistics related to flood damage, displaced people and shattered communities was shocking. Incomprehensible! On 16 January, a Courier Mail article reported that:
- At the flood peak 11,900 homes and 2500 businesses completely flooded.
- At the flood peak 14,700 homes and 2500 businesses partially flooded.
- 67 suburbs affected.
- 1200 evacuees at RNA Showgrounds and QE2 emergency centres over the weekend.
- 92 schools across Queensland had at least one building inundated, plus seven TAFEs and 19 teacher residences, while a further 29 schools had their playing fields inundated, while 86 childcare centres are also inaccessible. 

Ipswich, a hub city west of Brisbane, also sustained substantial damage.

I remember seeing on the news at one point, that over 150,000 homes in Bnsbane were without power.

Online mapping company, Nearmap,created an amazing, high resolution image of the disaster zone. There are also some amazing Before and After transition images of the worst hit areas.

Evacuating Teneriffe
I live about 15 metres from the Brisbane River in a ground floor, riverside apartment at Teneriffe. I started to move my possessions to a 3rd floor storage unit at Fortitude Valley on the Tuesday morning before Thursday's peak. When reports got more dire - at one point they were predicting a peak for the Brisbane River of seven metres - my father and I simultaneously decided that a more thorough  evacuation was needed. Just as I was about to call him, he rang and said he was on his way up from the Gold Coast, with the rest of my family and a box trailer.

By that time, the river and water in some low-lying drains had risen substantially enough to flood the access streets to my storage unit - so Plan B was now stuffed. A friend who lives round the road in a 3rd-floor apartment in Teneriffe kindly offered her place as a temporary storage unit. So Plan C kicked in, and we dumped a trailer load of boxed contents around at her place, before filling the trailer, my brother's station wagon, and my own car with yet more stuff, to take down to my parents place at the Gold Coast. That became my temporary home for the next few days.

After a very nervous night of reading BOM reports and anything else I could find in the wee hours of the morning on my Blackberry, Dad and I headed back up to Brisbane to seal and sandbag the drains in the shower, drop a sandbag in the loo, and generally move whatever was left in the apartment to the highest points - the kitchen bench, top cupboards in my bedroom etc. We even pulled up the carpet and underlay in my bedroom. I should point out that I had already established that my insurer - NRMA - is one of the many insurance companies NOT to offer flood cover - so I took whatever precautions I could to minimise damage. We moved the fridge onto the concrete floor of the bedroom so that when the power inevitably went off, it would leak it's contents there rather than on the wooden floors in the kitchen. And then we had to lock up the place and leave, sandbagging the front door and bedroom river as we left.

Another very nervous wait ensued on the Wednesday. Power had been cut to my office at Fortitude Valley and throughout the city, and Brisbane was an eerie ghost town when Dad and I drove back over the Storey Bridge en route to the Gold Coast.

That night, I (like I'm sure many thousand of other people were doing), stayed awake into the wee hours of the morning, glued to updates from the Queensland Police Service Facebook page. I have to say, this was one of the best sources of up-to-date information throughout the entire flood crisis.

Somewhere between 1.00am and 3.00am on the Thursday morning (the river was due to peak at around 4.00am), they began to revise down the peak from 5.5m. I remember looking at the clock for the last time at about 3.00am, and the estimated peak was 4.5m - a metre less than the peak '74. I didn't actually understand what that meant from a practical perspective - but this blog post I found some days later, shows comparisons of the water levels around an iconic sculpture at the Powerhouse at New Farm.

The Aftermath
I got up at about 6.00am, turned the news on straight away, and was stunned at the devastation I saw. Entire houses consumed with brown, muddy water - some suburbs completely submerged. Entire industrial areas such as Rocklea, where much of Brisbane's fresh produce comes from, was metres under water. Semi-trailers had been thrown around like toy blocks, and wound up around trees, or streets away from where their owners had left them. We saw pictures of mini-skip bins on top of houses. Iconic buildings such as Suncorp Stadium looked like a giant sludgey soup bowl. Riverside apartments were hammered, parts of the CBD were metres under water - it looked like a war zone.

My friend in Teneriffe texted me at 7.00am to report that, miraculously, my apartment was fine, and that no water had come through the entire complex. Reports by the Building Managers at Mactaggarts later confirmed that water from the river had come up over the boardwalk, and some 2 metres into the complex's garden - about 3-4 metres away from the historic woolstore building itself. Through the night, residents from higher floors had heavily sandbagged the large storm water drains in the middle of the complex, to try to prevent us flooding from the inside out - fortunately, these were not put to the test.

We still wanted to be sure that no water had come up through the internal drains, so Dad and I headed up to Brisbane to investigate. The Pacific Motorway was the quietest I've ever seen it at peak hour, and once again, the streets of Brisbane were eerily quiet. We stopped momentarily at the Kangaroo Point cliffs to have a look over the river and CBD. The river was absolutely roaring - I've never heard it make that noise or flow so fast. All manner of debris was being swept down the river - and that was only the flotsam and jetsam we could see - god knows what was lurking underneath.

Arriving at the apartment, it was a surprise to see no flood water around the parts of Teneriffe I was sure would flood - parts of James Street had been flooded the days before as a result of the rain, but that had all cleared away. Heaps of people were walking around by the river - parts of the boardwalk still under water. The photos below show the submerged bus turning circle at Teneriffe Pier, and how close the water came to one corner of the Mactaggarts building.

Teneriffe Pier and Teneriffe Bus Stop were out of action for a few days
The Teneriffe Boardwalk is submerged
The clean-upText messages and phone calls clogged the airwaves for the next few days as people sought to find out who amongst their families and friends had been flooded. It was one of the weirdest mornings ever - and ironically, it was a beautiful sunny day - the best weather Brisbane had seen in what felt like weeks.


Much has been written since about the amazing community spirit that kicked in that morning in Brisbane, and indeed throughout all the flood-ravaged areas in Queensland. I prefer to think of it as the Australian spirit, because we saw the same sort of national love following the Victoria during the Black Saturday Fires, and other past disasters.

It has been heart-breaking to hear of the many stories where people lost everything; the waste of food and stock, the destruction of so many properties; the enormous cost to the economy and general widespread disruption it all caused.

But there have also been amazing stories of courage, mateship and community spirit - and judging from the status updates on Facebook on Australia Day, all Australians are feeling mighty proud to be just that - Aussies!

A postscript...
As a postscript, I noticed this little wooden plaque in a temple in Narita this week. And on a couple of occasions, Japanese people have identified my Australian accent and asked about the "big floods in Queensland". They certainly new about it, and wished Australians well...

Let's hope that the affected families and communities can get back on their feet soon!


More of the photos I took the day that the river peaked, are on my Flickr page.

365 Challenge #276 - the floodgates at Wivenhoe Dam



Happy New Year! Woke up hangover free, and decided to venture out to Toowoomba for a day trip. We drove past the sign to the Wivenhoe Dam, and decided to go check out what a dam at 125% capacity looked like - personally, I thought someone had got their percentages wrong....I mean in my mind, 125% means 25% more full than the dam is capable of holding. But more about that in a sec.

It took a few attempts to get to the Spillway Lookout - couldn't quite find the right road to take, but we eventually made it, along with every other man and their dog.

According to Seqwater, "Wivenhoe Dam (Lake Wivenhoe) is built on the Brisbane River, approximately 80 kilometres from Brisbane.  It was designed by the Water Resources Commission and built in 1984. Its primary function is to provide a safe and reliable water supply to the south-east Queensland region."

As I mentioned earlier, thanks to the massive volume of rain in South East Queensland recently, the dam is currently at 125% capacity - so they'd recently opened the floodgates to let some of the water out. And spew out it did! The mist played havoc with the camera gear, so it was a case of get in, get a few bracketed shots so I could do some HDR processing, then get outta there!


Here are some facts about the Wivenhow Dam:
  • Wivenhoe Dam consists of an earth and rock embankment 2.3 kilometres long and 50 metres high, measured from the lowest foundation to the crest, with a concrete spillway section on which five steel crest gates have been installed. 
  • The gates measure 12 metres wide and 16.6 metres high and are among the largest of their type in the world.
  • The dam has a total storage capacity of 2.6 million megalitres.  At full supply level it will hold 1.15 million megalitres, or about 2000 times the daily water consumption of Brisbane.
And what about that 125% thing? Well..this explanation on the Seqqater site helped to clarify it for me.

"During a flood situation, Wivenhoe Dam is designed to hold back a further 1.45 million megalitres as well as its normal storage capacity of 1.15 million megalitres. Floods may still occur in the Ipswich and Brisbane areas but they will be rarer in occurrence. Wivenhoe’s flood control facility, together with the existing flood mitigation effect of Somerset Dam, will substantially reduce the heights of relatively small floods.
 
It is anticipated that during a large flood similar in magnitude to that experienced in 1974, by using mitigation facility within Wivenhoe Dam, flood levels will be reduced downstream by an estimated 2 metres.
 
Full supply level or 100 percent capacity (in the water level analysis) is indicative of the optimum level intended for town water supply, and does not take flood mitigation levels into account."
So - looks like a dam can be more full than 100%. This is reassuring living so close to the Brisbane River!

The Wivenhoe Dam is an impressive structure, and well worth the drive out to see it, particularly now while the flood gates are open. It would just be nice if this damn rain would let up a bit! :)