365 Challenge #324 - an afternoon in the mansion
Wow! It was a fast and furious few hours at a 70's Italian-styled mansion at Carseldine this afternoon! Krank Photography Workshops set up no less than 10 "scenes" for us to shoot, inside and outside the ornately decorated house which is slated for demolition in a few months. Enter the developers...
Photographers Glen Krohn and Deborah Boots were on hand to show us how to get the best out of the models, poses and camera settings. The stylist (Elisha Casagrande), and hair and makeup team from Elite Freelancing, did an awesome job, as did the lovely models who remained incredibly patient with what must have felt like a paparazzi's-worth of photographers in their faces.
The workshop was fun, and definitely piqued my interested in fashion photography. Now...I want to go do it all again!
There's no circus in this tent!
I'm loving the Colour II series of workshops I'm doing at the Brisbane College of Photography & Art. We're covering macro photography in a fair bit of detail at the moment, and this week we covered lighting options for macro work.
I'd seen light boxes and product tables in action very briefly at the Creative Photo Workshops Studio Lighting Workshop I did late last year, but was more focused in that session on shooting portraits of the glam models, than bottles and watches.
Anyway, this week, we played around with a 80cm x 80cm light tent, and I really like the soft light a portable white box like this can throw around pretty much any object you put in it.
The lecturer was telling us that he'd experimented a lot with light tents and found that it really didn't matter too much where (on the outside of the) light tent you fired the flash (or studio lights) - that it would just throw a nice diffused light into the tent and keep harsh shadows out of the image.
So now, of course, I need to experiment for myself...I found a nice cheap light tent online, and am patiently awaiting its arrival. Watch this space for the practice attempts...
Posted by
Venti
on
24.3.11
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comments
Labels:
light tent,
macro,
product photography,
studio lighting
365 Challenge #321 - Super Moon meets River Cat on the Brisbane River
365 Challenge #321 - Super Moon meets River Cat on the Brisbane River, originally uploaded by Melanie Surplice.
Gotta love a full moon over the Brisbane River on a balmy evening. Happy days!
365 Challenge #319 - Round II was less than stellar
So - I'm playing in the Footy Tipping Competition at work, and have come to the rapid conclusion after just two weeks, that I suck at tipping. Last week, I scored what I felt was a respectable 4 points, but this week it nose-dived to just 3 correctly picked tips out of 8. Can't wait for the AFL to start...I'm hoping there's a Wooden Spoon Award in that category - at least I may have some hope of winning. Make that WINNING!
On the upside, I learnt how to take screenshots with my iPhone just now - so tonight's photo came from the Footy Tipping app, courtesy of the iPhone.
Maybe NRL is good for something after all....
On the upside, I learnt how to take screenshots with my iPhone just now - so tonight's photo came from the Footy Tipping app, courtesy of the iPhone.
Maybe NRL is good for something after all....
365 Challenge #318 - who says you can't play with food!
The weather is still crapulous outside, and I was itching to do something with my camera today. So...time for an indoor photography project! It was the perfect chance to play with one of the techniques I learnt in last week's workshop of the Colour II course at the Brisbane College of Photography and Art.
We discussed and experimented with how to shoot translucent objects, like these gorgeous red onions. I love the colours and patterns that come from natural objects, and working out how to light them to really show off those naturally beautiful qualities.
I don't have a light tent or light box, and our tutor showed us a really simple and quick way of achieving the same effect. The next picture shows the ingredients - two translucent plastic chopping boards, two glasses (which prop up the large board), translucent ingredients like red onions or lemons, and some form of flash or continuous lighting.
My set up for the shoot was as follows:
1) Large chopping board propped up on the two glasses - ideally it's level!
2) Smaller board blocks off the back of the set up, to bounce light back in to the "box".
3) On reflection, I should have used white blocks or something other than glasses to prop up the chopping board, to prevent light escaping - but in this situation, it worked fine.
4) Flash or other light source (in this case, I was triggering mine wirelessly, but in class, we used a small desk lamp which provided continuous light).
5) Arrange ingredients over the board, and shoot. You can see the flash going off in the picture below, and how it blows out the background, leaving just the onions.
In terms of the gear I used, my macro lens is out visiting a wedding this weekend, so I used the Canon 500D close up lens attached to my Canon EF24-70mm f/2.8 L lens on the 5D II. I hand held the camera (although really should have used a tripod).
The camera settings were: ISO-100, f/11, 1/200, focal length of 50mm, manual focus. The speedlight was dialled down to 1/16 power.
And voila! That's how I made translucent fruit. There's really no limit to how else this technique can be used - jelly babies and other types of see-though lollies, other fruits and vegetables, leaves....and on it goes. Next time I might add a gel over the flash, to throw coloured light into the "box"...the possibilities are endless!
Who says you can't play with food??
We discussed and experimented with how to shoot translucent objects, like these gorgeous red onions. I love the colours and patterns that come from natural objects, and working out how to light them to really show off those naturally beautiful qualities.
I don't have a light tent or light box, and our tutor showed us a really simple and quick way of achieving the same effect. The next picture shows the ingredients - two translucent plastic chopping boards, two glasses (which prop up the large board), translucent ingredients like red onions or lemons, and some form of flash or continuous lighting.
My set up for the shoot was as follows:
1) Large chopping board propped up on the two glasses - ideally it's level!
2) Smaller board blocks off the back of the set up, to bounce light back in to the "box".
3) On reflection, I should have used white blocks or something other than glasses to prop up the chopping board, to prevent light escaping - but in this situation, it worked fine.
4) Flash or other light source (in this case, I was triggering mine wirelessly, but in class, we used a small desk lamp which provided continuous light).
5) Arrange ingredients over the board, and shoot. You can see the flash going off in the picture below, and how it blows out the background, leaving just the onions.
In terms of the gear I used, my macro lens is out visiting a wedding this weekend, so I used the Canon 500D close up lens attached to my Canon EF24-70mm f/2.8 L lens on the 5D II. I hand held the camera (although really should have used a tripod).
The camera settings were: ISO-100, f/11, 1/200, focal length of 50mm, manual focus. The speedlight was dialled down to 1/16 power.
And voila! That's how I made translucent fruit. There's really no limit to how else this technique can be used - jelly babies and other types of see-though lollies, other fruits and vegetables, leaves....and on it goes. Next time I might add a gel over the flash, to throw coloured light into the "box"...the possibilities are endless!
Who says you can't play with food??
Insanely great photo projects and DIY ideas with photojojo
A few months ago, I came across Photojojo, a fantastic, zany little site with some very cool gifts and gear for photographers.

As well as awesome products like fisheye, macro and wide angle lens attachements for mobile phones, funky photo frames and "The Bottle Cap Tripod", photojojo sells a book full of "insanely great photo projects and DIY ideas".
I was doing a big order from Amazon.com (which I do every couple of months to make the most of shipping costs), and decided that any book that had as its cover, a picture of a dog with a small camera strapped to its head with a Joby Gorillapod
, was up my alley. Imagine the images that you'd get from the perspective of your pooch :).
So the book arrived this week, and I've been flicking through for inspiration. You can also check out the photojojo Facebook page, which currently has over 34,700 fans, and provides a continual stream of funky, funny ideas.
The book shows how you can make ginormous photo mosaics, and all manner of holders and clips to display your photos. For example, there's a whole page dedicated to "how to turn a fork into a photo stand"!
One project shows you how to create your own photo Rubik's Cube, and for the slightly more vindictive amongst us, how to create a photo doll.
There's projects like "The Human Calendar", how to make personal snow globes, new ideas for 365 projects, DIY Time Machines...and on it goes. I'm smiling just looking at the photos of how to work through these projects!
Section Two shows how to make MacGyver-like tools like string monopods, flash diffusers, a cheap fish eye lens and a pinhole camera.
I love the way the book is written, and it really does seem to be full of "insanely great photo projects and DIY ideas." Now...which one to try first??
I was doing a big order from Amazon.com (which I do every couple of months to make the most of shipping costs), and decided that any book that had as its cover, a picture of a dog with a small camera strapped to its head with a Joby Gorillapod
So the book arrived this week, and I've been flicking through for inspiration. You can also check out the photojojo Facebook page, which currently has over 34,700 fans, and provides a continual stream of funky, funny ideas.
The book shows how you can make ginormous photo mosaics, and all manner of holders and clips to display your photos. For example, there's a whole page dedicated to "how to turn a fork into a photo stand"!
One project shows you how to create your own photo Rubik's Cube, and for the slightly more vindictive amongst us, how to create a photo doll.
There's projects like "The Human Calendar", how to make personal snow globes, new ideas for 365 projects, DIY Time Machines...and on it goes. I'm smiling just looking at the photos of how to work through these projects!
Section Two shows how to make MacGyver-like tools like string monopods, flash diffusers, a cheap fish eye lens and a pinhole camera.
I love the way the book is written, and it really does seem to be full of "insanely great photo projects and DIY ideas." Now...which one to try first??
High speed water shots - and how to do them!
It's another wet weekend in Brisbane, and I found this post I'd started collecting notes about, but had not yet posted it.
I'm fascinated by high speed photography - particularly high speed images of water splashes, like this stunning one from Martin Waugh. Check out his website to see a consistently amazing portfolio of water splashes and water collisions. What's the difference? Keep reading....
Martin describes in very general terms, his process for creating what he calls Liquid Sculptures and you can see a picture of his shooting set up.
I was so interested in his work, I scoured every part of his site, and came across this slow motion video which shows what actually happens to a water drop when it hits a shallow pool of water (a splash), and what happens when a water drop which has "bounced off the pool of water" and collides with another falling drop (a collision, like the image above).
Anyway, as the rain continues to fall, I'm feeling a bit inspired to keep playing with water and eventually get to images like Martin's. I suspect it's going to take a l-o-t of practice :)
I'm fascinated by high speed photography - particularly high speed images of water splashes, like this stunning one from Martin Waugh. Check out his website to see a consistently amazing portfolio of water splashes and water collisions. What's the difference? Keep reading....
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| (c) 2006 Martin Waugh at www.liquidsculpture.com |
I was so interested in his work, I scoured every part of his site, and came across this slow motion video which shows what actually happens to a water drop when it hits a shallow pool of water (a splash), and what happens when a water drop which has "bounced off the pool of water" and collides with another falling drop (a collision, like the image above).
Anyway, as the rain continues to fall, I'm feeling a bit inspired to keep playing with water and eventually get to images like Martin's. I suspect it's going to take a l-o-t of practice :)
Fabulous fashion photography with Krank Photography Workshops
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| © 2011 www.krankphotographyworkshops.com.au |
Krank Photography Workshops seem to have recently started up in Brisbane, offering fashion photography workshops under the guidance of Brisbane photographers, Glenn Krohn and Deborah Boots.
The blurb for the upcoming workshop next weekend says "Krank Photography Workshops has lined up exclusive access to an awesome 70′s Italian-styled mansion decorated in ornate wallpapers, with grand staircase, chandeliers and period furniture. This workshop is aimed to give you an understanding of portable lighting equipment and how to use it creatively on a location shoot. Your photography instructor Glen Krohn, will take you through planning the styling of the shoot, briefing hair and make-up, casting and directing models."
It sounded so cool - the images on the Krank workshop so very glam! I pondered it for a few days, then caved to temptation this morning and booked into next weekend's workshop.
All I can say at this point is, "SHOW ME THE MANSION!" Can't wait to see what will come out of this workshop, but I have a feeling it's gonna be good.
Posted by
Venti
on
19.3.11
4
comments
Labels:
Brisbane,
fashion photography,
Krank Photography Workshops
Japan..."stay strong and united"
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| A small plaque at Naritsan Temple just six weeks ago... |
For me, our brief trip to Japan had provided a much welcome escape from Queensland's "Big Wet", and the unplanned evacuation from and re-location back into my Teneriffe apartment during the devastating floods which engulfed large parts of Australia's third largest city. At least I had a dry, undamaged home to return to.
We were fortunate to arrive home from Tokyo just a few days ahead of Cyclone Yasi, one of the most powerful cyclones ever to smash the Far North Queensland coast. A couple of weeks later, a massive earthquake struck the beautiful New Zealand city of Christchurch.
It feels like the news in 2011 has been one continual waterlogged story of death and devastation. It feels like each of these natural disasters has grown exponentially in scope and destruction - the stories of loss seemingly far outweighing the stories of survival. And yet, I've been morbidly transfixed by the TV footage and unbelievable, "before and after photos" each day. There has also been an incredible display of community spirit - locally and globally - after each disaster. Each day seems to give birth to yet another much needed disaster relief fund.
And just when we in the Pacific didn't think things could get a whole lot worse, Mother Nature threw a complete hissy fit last Friday and squeezed out an 8.9-magnitude earthquake off the coast of Northern Japan. As if the quake, which apparently rocked and rolled the beautiful island nation a couple of metres sideways - permanently, was not bad enough, a series of tsunamis then smashed the coast and everything in their path.
The Japanese coined the phrase "tsunami". Situated in the Pacific "Rim of Fire" atop a couple of restless tektonic plates, this is a country used to earthquakes and the subsequent big waves which such massive releases of energy generate. Sophisticated early warning systems are located around the Japanese coastline, and the buildings are apparently built to withstand pretty severe shaking.
But we've since learned that this monster quake was some 8,000 times more intense in energy than the Christchurch earthquake. Who'd have thought that was even possible?
We've heard that a wall of water, in some cases up to 10 metres high and travelling at 800 kilometres an hour - the speed of a jet aircraft in flight - completely flattened towns such as Sendai, Otsuchi, Minamisoma, Minami Sinraku, Rikuzentakat...and the list goes on.
It's heartbreaking to think that several thousand people have already died in this latest tragedy; that some four days later, there are thousands of missing people who will most likely never be found; that search and rescue teams and the armed forces still can't even get into some of the small villages to begin to assess the loss; that hundreds of thousands of Japanese people are tonight separate from their loved ones, still without homes, power and food - all of this in the middle of a cold winter. Add to that the growing threat of multiple nuclear emergencies, and you can't help but wonder, WHEN WILL IT ALL STOP? When will this battered country get some sort of a reprieve and see an end to a disaster which just seems to keep unfolding?
My heart breaks with every tragic image I see of this awesome country in turmoil. I am desperately sad seeing images of the stoic Japanese people, whose world has fallen apart - yet who remain calm, and warrior-like in their resolve to keep going, seemingly against all odds. They are indeed inspirational.
I took the photo in this post on my first day in Japan - spotting it by chance out of the thousands of similar little handwritten messages hanging off racks around the Narita-san temple complex. After the Queensland floods, it was like I was meant to see that little plaque.
And so to the Japanese people, I say in return, that I hope you too can overcome this disaster, and stay strong and united. xx
365 Challenge #310 Hope & Ed's Wedding
I went to the lovely wedding of Hope and Ed, on Friday. It was held at An Island Hideaway on South Stradbroke island.Such a beautiful setting - even the persistent rain didn't dampen the happiness of the day.
Hope and Ed had met at a local Lifesaving Club in Victoria, and the whole wedding was themed around the beach. Even the wedding cake was decorated with star fish and shells, with raw sugar providing the "sand" - I thought it was all gorgeous!
Congratulations to Hope and Ed on an awesome day, and for a long and happy marriage.
365 Challenge #309 - summer fun!
I spent a lovely afternoon today with my family on the Gold Coast. What a cracker of a last weekend for summer - but hopefully now we move into the season of fewer storms and cooler temps. Autumn is my favourite time of the year in Queensland.
Little B, my gorgeous nephew who turned two last week, entertained us by splashing around in the pool. It would have been a great day for using my 70-200mm lens, but I only had the 24-70mm lens.
The 24-70mm lens is the one I use most often - such a brilliant general-purpose lens. My only concern about using it today was that I had to get fairly close to this cheeky little monkey to get a close up shot - and he was splashing around like mad. Even though the lens and camera body are weather sealed, I'm still a bit nervous about getting it the gear wet.
Anyway, I was able to roll off a bunch of shots of him and Grandma playing in the pool. That's what summer is about, after all :)
365 Challenge #308 - New Farm Park's rose garden
It was a gorgeous day out yesterday! Photography buddy Robyn and I arranged to meet up at Brisbane's Powerhouse to check out the Nikon Walkley Press Photo Exhibition, which finishes this weekend.
The collection of 100 of the winning and finalist photos was inspiring. Press photographers, particularly news photographers, usually have very little time to set up the images we see in newspapers.
These photographers are often shooting in the most difficult conditions, like wars and disasters. As we wandered round the images, we wondered whether the shots were straight out of the camera or if they had been photoshopped at all.
It was also interesting to see that some of the winning shots broke some of the "rules" that we've been taught in various workshops - like the rule of "don't stick your subject in the dead centre of the frame". A number of the winning photos had captured the subject right in the middle of the image. Go figure!
After a few quiet drinkies on the balcony of the Powerhouse, we wandered out to New Farm Park with our cameras. I hadn't been here since before the area had been inundated in the January floods, and it was great to see everything largely back to normal.
The sun was still hot and glary, so shooting flowers (or indeed, anything) was a tad tricky. A polarising filter helped to pull back the light and add some colour to the sky. I experimented with shooting these roses from underneath.
I love the colours of vivid colours of Summer, but am also looking forward to cooler temps in Autumn.
All photos taken with my Canon EOS 5D Mark II and the Canon EF24-70mm f/2.8L lens.
365 Challenge #307 - experimenting with the vertical pano
I was out shooting last night, on what was a beautiful summer evening. The Brisbane sky was a gorgeous blend of blues, pinks and yellows.
The skyline lends itself to being cropped to pano format, but I thought I would try both vertical and horizontal layouts. I think I prefer the horizontal version in this instance - mainly because it shows more of the colours, but I will try to "see" more vertical pano's when I'm out and about.
365 Challenge #306 - Issey Miyake
365 Challenge #306 - Issey Miyake, originally uploaded by Melanie Surplice.
My head is spinning with the concepts of design we discussed in the first session of the 8-week Colour II course at the Brisbane College of Photography & Arts last night. We discussed the eight principles of design - proportion, rhythm, unity, dominance, balance, harmony, selection and contrast. On top of that are the seven elements of design - line, direction, shape, size, texture, value (which I equated with exposure) and colour. All of these principles and elements can be incorporated into photography - particularly helping with composition decisions. The tutor explained that photos which incorporate the principles of design generally seem to work better than those photos which ignore or contradict these principles.
We then put these into a matrix, and the first assignment became to take pictures which represented a combination of one item from each category - so contrast and value for example.
This is FABULOUS, because it gives me 56 possibilities from all the combinations, meaning 52 photos - which will just about see me done and dusted for this 365 challenge.
No doubt, I'll research and blog about each element as I go, but for today, I thought I'd start with an easy one - a yummy selling combination of contrast and value :)
365 Challenge #305 - Thinking of Christchurch
Today, a massive earthquake devastated the beautiful city of Christchurch. I couldn't help but think back to the fantastic few weeks I spent there a couple of years ago.
During my trip, I bought a few pieces of jade jewellery, a speciality of the area. I particularly loved the maori symbols, and chose a Koru (spiral) charm. The Koru represents new beginnings, growth, harmony and was derived from the symbolism of an unfurled silver fern leaf - which are plentiful in New Zealand.
My thoughts are with everyone in the disaster-struck Christchurch tonight. I am sure they'll find the strength to create their own new beginnings.
365 Challenge #304 - Colour 101....or make that 2
Anyone who knows me will attest to my course junkie thang. I love doing courses - short courses, long courses, degrees for the fun of it...So I'm very excited to be starting the 8-week Colour II course at the Brisbane College of Photography and Art tomorrow night.
I did the Colour I course at the college late last year, and it provided a great refresher on exposure, flash and studio lighting, and all manner of other interesting photography stuff.
I find that the 8-week courses give me time to ponder points that are made in class, go home and try them, and then come back with just as many questions the following week. I also like hanging out with other photogs and seeing what they're up to...
So....stay tuned for updates from this happy little course junkie.
Posted by
Venti
on
22.2.11
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comments
Labels:
365 Challenge,
BCPA,
Michael Freeman,
The Photographer's Eye
365 Challenge #303 - The Reading List
365 Challenge #303 - The Reading List, originally uploaded by Melanie Surplice.
My blog posts lately have been few and far between. I recently started a fab new marketing job, and now have a long, and fascinating reading list which covers everything from marketing to management, strategy to fables. I used to love reading all the latest business books and I'm really enjoying getting back into it all with a vengeance.One particularly interesting book I was challenged to track down and read, is called the Go Getter - a story that was published in 1921. It's a v-e-r-y short story, a fable in fact, and I read it in an hour - but it was cool. If you're interested in what type of people make the business world go round, track down the book and let me know what you think!
Now...to get through this current stack, to make way for the next batch :)
Loving the long exposure!
Ah, the joy of night shoots! Haven't done it for what feels like ages, and ended up going out twice the weekend.
Other than the mossies, which around the Brisbane River, are more like small helicopters than tiny bugs, I love that night shooting relies on long exposures. The photo of the Story Bridge (above) was 100 seconds, while the one below was 611 seconds - just over 10 minutes (both at f/11 with the 28-70mm f/2.8L lens).
I love what long exposure shooting does to lights and water, and the reflections created when you have both ingredients. I love that night shooting is typically quiet and peaceful (other than random Irish drunks and the swearing that comes with having forgetten the mossie repellant).
I also appreciate the chit chat that typically comes with the other photogs who are shooting with you - last night, the guy that was shooting near Steve, Darren and I ended up being a guy I was already in contact with on Flickr. It's not the first time someone has suggested we all start wearing t-shirts with our Flickr Id's out to shoots....
It was a dilemma last night though - the sunset on one side of Cleveland Point, and the full moon rise on the other. We opted for the sunset, but the moon looked pretty spectacular through the palm trees. My lens didn't zoom far enough to capture enough detail, so I'll have to commit that image to memory.
Now - to find some more locations around Brisbane so I can do more night shooting! Where's YOUR favourite night shooting location in Brisbane?
Posted by
Venti
on
20.2.11
0
comments
Labels:
Brisbane,
Cleveland Point,
long exposures,
nightscape,
Story Bridge
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